Chapter 17

 

Renaissance Artists:

Disciples of Nature, Masters of Invention

 

I.                   Introduction

Embrace of the natural world; lessons of antiquity

Revival of classical heritage

Spirit of individualism

          da Vinci, Raphael, Michelangelo

          realistic, concrete

 

II.                Renaissance Art and Patronage

A.      Catholic Church – traditional source of patronage

B.      Merchant princes

C.      Middle class patrons, urban centered guilds

D.      Art as evidence of well being

E.       Expression of extension of ego in age of individualism

F.       The artist as craftsman

1.    technician:  grinding paints, making brushes

2.    skills:  copying images, forms

G.      The artist as hero             ex.  da Vinci, genius

 

III.             The Early Renaissance

            A.  Revival of the Classical Nude:  Donatello, Botticelli

            1.  Study of Roman and Greek Statuary

2.     Study of Human Anatomy

B.      Classical Revival in Early Renaissance Architecture:  

1.     Brunelleschi, the Dome of Florence Cathedral

lantern, pilasters

2.     symmetry, clarity

3.     human form reflected order in the universe

C.      The Renaissance Portrait

1.     northern influences, recording documents

2.     hidden symbolism, psychological portraits

3.     open air (high Renaissance) vs. domestic interiors

4.     life sized sculptures:  Verrocchio

D.     Early Renaissance Artist-Scientists

1.     direct observation:  examination, experimentation, record keeping

2.     live studio models; study of human anatomy; natural light

3.     rational inquiry à scientific analysis

4.     picture plane:  two-dimensional, transparent glass, window through technique of oil glazes

5.     linear perspective:  parallel lines converge at vanishing point on the horizon

a.      from research in Arab science around 1420

Brunelleschi

b.     stated mathematically and geometrically

Alberti  in 1435; advanced by Leonardo & Dürer

c.      fixed relationship:  time and space

d.     exact, accurate description of physcial world

e.      Ghiberti’s Gates of Paradise

 

Vocabulary: 

 

frescoe:      painting medium to which colors are applied to wet plaster; image bonds with painting surface; used for murals

 

intarsia:      inlay of various kinds of woods to achieve pictorial illusion, Figure 16.3

 

bas relief:  relief sculpture, figures protrude slightly from a background, such as a coin

 

E.      Leonardo d Vinci as Artist-Scientist

 

 

IV.           The High Renaissance

A.      Leonardo and Raphael

 

B.      Architecture of the High Renaissance:  Bramante and Palladio

 

C.      Michelangelo and Heroic Idealism

 

D.      The High Renaissance in Venice

 

V.              The Music of the Renaissance

A.  Early Renaissance Music:  Dufay

A.      High Renaissance Music:  Josquin

B.      The Madrigal

C.      Instrumental Music of the Renaissance

D.      Renaissance Dance

 

Summary